Breaking the bloody iceberg
Teerawat Mulvilai knows he’s being watched onstage. In his case specifically, it is with extreme scrutiny, a sense of wonder and perplexity. Standing very still seems just as significant as when he moves. He’s done it many times before, namely in the first two instalments of his solo performance in Satapana (Establishment), which were Red Tank followed by Iceberg, last year.